Lavandor

This is where it all begins.

To create the first fragrance of the house, Louison retreats to the countryside, to the family holiday home. Alone, with his cats. He is searching for something, the genesis, the philosophy of what Technique Indiscrète will become.

A spring morning. The birds sing their first courtship songs. The sun's early rays warm the face. The vegetation awakens from its winter hibernation and seems to say: "Here I am again!" Morning dew wets the grass underfoot.

That morning, he cleans old white linen sheets of exceptional quality, the kind no longer made, infused with a fragrance he had created especially for his laundry and bakes an apple cake. He takes the cake out of the oven, sets it on the garden table to cool, and hangs the linen outside.

Then he sits down in the garden. And time stands still.

All the scents envelop him at once, nature, vegetation, damp earth, woods, the warm apple cake, the white linen sheets drifting in the spring breeze. It is here, in this suspended moment, that he understands what Technique Indiscrète will be: capturing emotions and putting them in a bottle.

From that day on, Louison only creates a perfume if he succeeds in capturing an emotion.

Eau de Parfum — 50 ml / 1.69 oz

There are figures in history who seem to have crossed the centuries without ageing.

Hildegard of Bingen is one of them. Born in the 12th century, visionary, poet, musician and herbalist, she is considered today as the first true naturopath and modern phytotherapist. Her astonishing predictions, her avant-garde medicine, her music and her spirituality have left an indelible mark on history. Nine centuries after her death, her teachings remain strikingly relevant.

How could such an extraordinary and richly gifted figure have taken so long to capture the attention of our contemporaries?

Louison discovers her during his perfumery studies, while simultaneously attending evening classes in herbalism and aromatherapy. He has always felt deeply this connection with nature, with plants, and that ancestral instinct that drives us to believe nature offers the remedies humanity needs to heal itself. In Hildegard, he recognises a kindred spirit, a woman who had understood, nine centuries before him, what few then dared to affirm.

Eau de Parfum — 50 ml / 1.69 oz

A fragrance of royalty.

Imagine a queen of the 21st century. Monarch of her country, yet without decision-making power. She must remain discreet while uniting her subjects. Always elegant, always calm, an elegance that is not a luxury, but an armour.

She knows every secret of her government. She sees everything, hears everything, understands everything. Yet she cannot intervene. She fights in silence against the perfidy of her ministers, solely preoccupied with their financial interests and their thirst for power. She must remain the queen of hearts of her people, and ensure that corruption never seeps into the open.

To wear a crown is also to live beneath a sword of Damocles. The head can fall at any moment.

Eau de Parfum — 50 ml / 1.69 oz

There are fragrances that travel through time.

The first image is that of winter. A warm kitchen, a home that smells of celebration, cinnamon, nutmeg, clove warming the atmosphere. These Christmas spices that for centuries have warmed homes and hearts, bringing with them childhood memories, the joy of laid tables, the sweetness of shared moments.

The second image comes from the 12th century. Hildegard of Bingen, that visionary, herbalist and musician whom Louison deeply admires, prepared spiced biscuits that she prescribed as a remedy for the soul and the body. Cinnamon, nutmeg, clove, a harmony at once medicinal and indulgent, passed down from generation to generation until today.

The third image comes from Jerusalem, the city of his ancient roots, of his deepest connections. The souks heavy with heady, bewitching fragrances. The Silk Roads along which caravans transported clove and nutmeg like treasures. That warm and mysterious depth, that base of earth and vanilla that transports us to another world.

Scented Candle — Weight: 220g / 7.76oz — 100% soy wax — Burn time: 55 to 60 hours — Made in France in our atelier.

Brussels. A December weekend.

It is bitterly cold. Louison is pushed through the door of Saint Catherine's Church by a gust of wind that leaves him no choice. An exhibition of orthodox icons from around the world has been installed there for a few days.

He is not of the Christian faith. But he has always been fascinated by liturgical art and symbolism — by those subtle and profound links that unite Christian symbolism with the Kabbalah of Judaism. Invisible bridges between beliefs, that few people take the time to contemplate.

Inside, time stands still. Visitors are in rapture before the beauty of the icons, illuminated by candlelight — blue, red, green, gold. Louison begins to smell. The dusty scent of stone walls. The dry cold of the blue stone floor. The freshly polished wood of the pews. He takes out his small notebook and notes everything down.

A priest approaches. He watches, intrigued. "Why are you smelling everything?" Louison looks up: "Oh, don't worry... I create perfumes." The priest looks at him as though he were a heretic escaped from an asylum.

But Louison's mind is elsewhere. He looks at the icons, these women holding children in their arms. And he thinks: every woman holding her child in her arms is a saint. Like our mothers who held us. These silent, absolute saints of everyday life.

Scented Candle — Weight: 220g / 7.76oz — 100% soy wax — Burn time: 55 to 60 hours — Made in France in our atelier.

A late summer night. An unlit French country road. Louison is alone at the wheel of his vintage black Saab 900, eyes fixed on the tarmac, alert — a deer, a wild boar, a fox could leap from the darkness at any moment.

On the radio, a podcast. The BBC pays tribute to Barbara Cartland, that eccentric of the English aristocracy who dressed exclusively in pink, whose homes were decorated in every shade from rose to lilac, mauve to violet, with occasional touches of unabashed kitsch. A woman who wrote romantic novels, who had built an entire empire from her stories, who adored violet perfumes, and who carried it all off with sovereign nonchalance.

Then the journalist asks a question. An uncomfortable one. Almost indiscreet.

"Do you have any fantasies? If so, what are they?"

A long silence settles. Louison thinks she must be offended. But no.

Her answer comes, in a voice unexpectedly sensual, like that of a woman whose desires are only just awakening, yet who is already of a very considerable age.

"I like young boys... and leather."

A burst of laughter in the dark. The forest rushing past on either side. Focus on the road.

Eau de Parfum — 50 ml / 1.69 oz

The scent of someone you love.

Not their perfume, their scent. The smell of their skin upon waking, after they have gone. That olfactive imprint left on the sheets, in the hollow of the pillow, in the atmosphere of the room. A presence without a body. A memory that still breathes.

Omnipresence.

That of the energy that surrounds us, invisible, yet always there. In us and all around us, between us. That divine breath that some call God, others the universe, others still the living world. The name matters little. The presence, itself, does not lie, there where the visible and the invisible meet.

The omnipresence of the architect of the universe, that indescribable yet so perfect mechanism. Our beliefs that carry us. Our doubts that make us grow. That tension between what we know and what we sense, between what we see and what we hope for.

Eau de Parfum — 50 ml / 1.69 oz

I have always loved the scent of hyacinth. Its intense floral aroma has always captivated me, the deep green of its foliage, the galbanum, the spicy balsamic, honeyed, sometimes powdery.

I took the time to formulate this perfume. A long time. Because I wanted a formula as close to nature as possible. I no longer know how many attempts, reformulations, even when I was close to the goal and could have said to myself: "Okay, we've got it" but I wanted to push it even further, refine it, add facets, reach for perfection.

And then one evening, the idea came. A combination of raw materials from an initial formula and the final formula, to be assembled surgically. When I smelled this last attempt, I immediately understood. It was the one. The final formula.

Scented Candle — Weight: 220g / 7.76oz — 100% soy wax — Burn time: 55 to 60 hours — Made in France in our atelier.

Built at the edge of the forest, in the heart of the marshes. Adorned with its magnificent, thousand-year-old irises. A green city, with its stone cathedral and its lace town hall. A little Flemish, a little Walloon, always embodying unity, despite everything, despite the others.

Many are the countries that have coveted her, without ever possessing her. For Brussels does not belong to itself, it belongs to the world. One can travel the world in the blink of an eye here. It gathers all nations, welcomes them, absorbs them, and remains itself.

Its borders are so blurred they make the world laugh. Let those who mistake them beware.

Despite your age, you are still as beautiful, my dear.

Scented Candle — Weight: 220g / 7.76oz — 100% soy wax — Burn time: 55 to 60 hours — Made in France in our atelier.

A love story like almost none other.

An Italian friend, a redhead from Tuscany, meets an Indian prince in New York, a man of rare beauty and elegance, yet of a disarming simplicity. The spark is immediate, absolute. Except that his family had arranged his marriage to a princess since childhood. An Italian wife was out of the question.

But love resists. It grows stronger under pressure, as only true love knows how. The family eventually relents. Three receptions are organised — New York, Paris, India. Louison is invited to the Parisian wedding.

A fairy tale evening. Bollywood performances, sumptuous evening gowns, colours spilling out everywhere. And unforgettable scents — saffron above all, permeating every dish at dinner. Rice with vanilla and saffron. That warm, spiced, enveloping fragrance, mingling with jasmine flowers, the sound of sitars and the laughter of guests.

It is this scent that Louison carries home with him. The scent of an evening where love won.

The prince and princess live today between New York and India, surrounded by their children. To the great joy of parents who finally understood that love knows no borders.

Scented Candle — Weight: 220g / 7.76oz — 100% soy wax — Burn time: 55 to 60 hours — Made in France in our atelier.

London, Restoration England.

Amber St. Clare is sixteen. She is alone, pregnant, penniless, in the teeming streets of London. Abandoned.

And yet.

Through her intelligence, her beauty and her courage, this young woman will climb every rung of a society that gave her nothing, from dark alleyways to gilded apartments, from highwaymen to courtiers, all the way to the bed of King Charles II himself. Favourite of the Merry King. The highest position a woman could hope for in the England of her time.

She lives through the Great Plague. The Great Fire of London. Betrayals, passions, conquests. She accumulates lovers with sovereign nonchalance: "Adultery is not a crime, it is an entertainment," she murmurs.

But deep in her heart, through all her adventures and all her ordeals, Amber remains faithful to one man. The one she truly loves. The one she can never have.

Scented Candle — Weight: 220g / 7.76oz — 100% soy wax — Burn time: 55 to 60 hours — Made in France in our atelier.

There are scents that announce the seasons better than any calendar.

When suddenly the scent of linden blossom rises along the country roads, it is summer announcing itself. The air is filled and seized, that sweet, honeyed, slightly anised fragrance that falls from the flowering trees like a promise kept. One looks up, searches for where it comes from, pauses for a moment.

Louison has a deep love for this scent. That of this majestic tree which, every summer, generously offers its flowers and perfumes everything around it. A simple, true, deeply reassuring fragrance.

Despite everything, each year, the pleasure of such scents renews itself.

To rejoice in it will not change the order of the world.

And yet...

Eau de Cologne — 250 ml / 8.45 oz

Paris, the 1960s.

A woman crosses the Boulevard Saint-Germain. A well-cut coat, precise heels, gaze straight ahead. She is one of those Parisian women who need no effort — elegance is second nature to them, never a performance.

She is Séverine.

The heroine of Belle de Jour, Luis Buñuel's film with Catherine Deneuve. On the surface, a perfect, irreproachable wife, with an enigmatic smile. In reality, a woman who lives entirely by her own rules, discreetly, absolutely.

Plaisir d'Amour draws its inspiration from this era and this woman. That particular Parisian chic, neither too classic, nor too restrained, that always conceals something beneath its obvious perfection. An elegance that needs no justification.

Plaisir d'Amour is a couture fragrance, cut with precision, worn with grace, like a signed dress one recognises without seeing the label.

Eau de Parfum — 50 ml / 1.69 oz

Give time to time.

A misty dawn. A stream. A majestic heron. The symphony of the living, frog, bird, peacock in full display, a ballet of dragonflies. The fox cub, the fawn, the pheasants. Those flashes of life that run between things.

Bare feet in the morning dew. An atom of life.

The smile of the elementals, they come and go, taking all the time in the world. Fantastic reality.

At the heart of Jewish tradition lies a fundamental rule, perhaps the most important of all: to glorify life. The living. Always.

For resilience is part of the DNA of this ancient people. With it comes respect, the thirst for knowledge, education, instruction, this deep conviction that one must go as far as possible in all things, reach for excellence, never stop learning, growing, rising.

Lehaïm is not simply a toast. It is a philosophy. A cry from the heart. A way of being in the world, fully, intensely, with gratitude.

Have faith in life. Cry it out, again and again.

Extrait de Parfum — 50 ml / 1.69 oz

Winter 1959. Somewhere in a Parisian hotel.

Just before the screening of Les Chemins de la Haute Ville, Simone Signoret settles into a small, hushed salon, filled with flowers arranged for her. A butler brings her a glass of champagne and marrons glacés, of which she is particularly fond.

A chocolatey, balsamic and oriental confection, glazed, concealing at its heart a vanilla-coconut cream. Those barely perceptible hints of mint leaf, of fig with an addictive sweetness. And the scent of flowers gently perfuming the room.

A suspended moment, intimate and precious, before the lights go down and the film begins.

On the 4th of April 1960, Simone Signoret received the Academy Award for Best Actress for this role, becoming the first French actress ever to receive the honour.

Extrait de Parfum — 50 ml / 1.69 oz