Tilleul

Young, Louison was called the man of the forest.

He has always loved losing himself for hours in the woods, that particular sensation of being watched, without knowing by whom, or by what. What do they think of us, from up there? And the trees — what do they think of us?

Trees can live for more than a hundred years. They surely know the deepest secrets of the forest. They are its eyes, its memory, its silent guardians. They can feel pain, experience emotions, like fear.

They like to stay close to one another, to embrace. They appreciate company and take their time. There is a deep friendship between them, they can live like an old couple, where each one takes care of the other.

Trees have emotions.

Extrait de Parfum — 50 ml / 1.69 oz

London, Restoration England.

Amber St. Clare is sixteen. She is alone, pregnant, penniless, in the teeming streets of London. Abandoned.

And yet.

Through her intelligence, her beauty and her courage, this young woman will climb every rung of a society that gave her nothing, from dark alleyways to gilded apartments, from highwaymen to courtiers, all the way to the bed of King Charles II himself. Favourite of the Merry King. The highest position a woman could hope for in the England of her time.

She lives through the Great Plague. The Great Fire of London. Betrayals, passions, conquests. She accumulates lovers with sovereign nonchalance: "Adultery is not a crime, it is an entertainment," she murmurs.

But deep in her heart, through all her adventures and all her ordeals, Amber remains faithful to one man. The one she truly loves. The one she can never have.

Extrait de Parfum — 50 ml / 1.69 oz

A manor house, lost in the middle of nowhere.

Louison spends a few days there with friends. The garden overflows with flowers, the vegetation growing freely, at its own pace. The house seems outside of time, welcoming, filled with a magnificent energy. One senses that it is happy to receive visitors.

At night, the woodwork creaks softly. Louison is not frightened. He always leaves a small lamp on in his room.

The walls are covered in wallpaper with immense flowers, flowers one would not find in the garden. Flowers from another world. At night, by the light of the lamp, he can admire their dance in the shadows. They have sensed his presence.

One of them draws closer. Its shadow brushes his ear. It whispers:

"We are on the wall. We have a fragrance. Lighter than nature. In the countries of the future or the ancient lands. Here is our ornament. And we repeat it from floor to ceiling. A fear of being misunderstood, for we have neither freshness nor seasons, nor sky, nor bees, nor breezes."

He falls asleep. And all of them came to him. They wrapped around him to protect him from the spirits of the night.

Extrait de Parfum — 50 ml / 1.69 oz

There are states that reason cannot explain.

The mystics know this, those who, across the ages and across religions, have lived that particular moment when the body no longer belongs entirely to the earth. The stigmata that appear. The visions that impose themselves. The trance that invades, surpasses, transcends. A connection with the invisible so powerful that it leaves traces upon the flesh.

Thérèse d'Avila, Francis of Assisi, Maimonides, Isaac Luria, the Baal Shem Tov. The Sufis in prayer. The Tibetan monks in deep meditation. The shamans in trance.

Whatever the tradition, whatever name is given to this force, the experience itself is strikingly similar. A total surrender. An elevation. A pleasure that is not of this world.

The scent of holiness floating in the air. Touched by grace. Divine pleasure. Ecstatic orgasm.

For this is precisely what it is, that fine line between spiritual ecstasy and the ecstasy of the body. The mystics themselves did not always distinguish between the two. And perhaps there is no difference at all.

Eau de Parfum — 50 ml / 1.69 oz

Paris, the 1960s.

A woman crosses the Boulevard Saint-Germain. A well-cut coat, precise heels, gaze straight ahead. She is one of those Parisian women who need no effort — elegance is second nature to them, never a performance.

She is Séverine.

The heroine of Belle de Jour, Luis Buñuel's film with Catherine Deneuve. On the surface, a perfect, irreproachable wife, with an enigmatic smile. In reality, a woman who lives entirely by her own rules, discreetly, absolutely.

Plaisir d'Amour draws its inspiration from this era and this woman. That particular Parisian chic, neither too classic, nor too restrained, that always conceals something beneath its obvious perfection. An elegance that needs no justification.

Plaisir d'Amour is a couture fragrance, cut with precision, worn with grace, like a signed dress one recognises without seeing the label.

Eau de Parfum — 50 ml / 1.69 oz

There are figures in history who seem to have crossed the centuries without ageing.

Hildegard of Bingen is one of them. Born in the 12th century, visionary, poet, musician and herbalist, she is considered today as the first true naturopath and modern phytotherapist. Her astonishing predictions, her avant-garde medicine, her music and her spirituality have left an indelible mark on history. Nine centuries after her death, her teachings remain strikingly relevant.

How could such an extraordinary and richly gifted figure have taken so long to capture the attention of our contemporaries?

Louison discovers her during his perfumery studies, while simultaneously attending evening classes in herbalism and aromatherapy. He has always felt deeply this connection with nature, with plants, and that ancestral instinct that drives us to believe nature offers the remedies humanity needs to heal itself. In Hildegard, he recognises a kindred spirit, a woman who had understood, nine centuries before him, what few then dared to affirm.

Eau de Parfum — 50 ml / 1.69 oz

The ship is called l'Incognito. It is coming home.

Its hull is moored at the quay of the port of Antwerp. But the Incognito has come from far away. It has crossed the world, and carries its scents.

From India, it brings patchouli and spices. From the islands of the Indian Ocean, heady ylang-ylang. From the Persian Gulf and the Suez Canal, incense, myrrh, Egyptian jasmine. From the Mediterranean Sea, honey from Haifa. From Istanbul, the rose, bewitching and deep. From Spain and Gibraltar, labdanum. From the Atlantic Ocean, the sharp, briny air. From Portugal, tobacco in infusion, falling on the blue stones of the wet quay, piercing the invisible sun prowling beneath the waters.

Antwerp. The damp quayside. The smell of fuel oil mingled with that of the Scheldt. And all these scents of the world settling gently on the cobblestones of the city.

Eau de Parfum — 50 ml / 1.69 oz

A fragrance of royalty.

Imagine a queen of the 21st century. Monarch of her country, yet without decision-making power. She must remain discreet while uniting her subjects. Always elegant, always calm, an elegance that is not a luxury, but an armour.

She knows every secret of her government. She sees everything, hears everything, understands everything. Yet she cannot intervene. She fights in silence against the perfidy of her ministers, solely preoccupied with their financial interests and their thirst for power. She must remain the queen of hearts of her people, and ensure that corruption never seeps into the open.

To wear a crown is also to live beneath a sword of Damocles. The head can fall at any moment.

Eau de Parfum — 50 ml / 1.69 oz

Louison has a deep passion for bees. Since acquiring his first two hives, he has observed them, listened to them, respected them, as one respects a world unto itself.

One day, one of the hives stops behaving normally. Concerned, he contacts a more experienced beekeeper friend. Together, they open the hive and inspect the interior. The queen is there, in a pitiful state, trapped in the alcoves, covered in wax and honey. She is ill.

Before even touching her, Louison perceives the scents rising from the hive. Animal notes, Wax, Cypress, Geranium... A dense, living, unforgettable blend.

They take the queen in their hands and begin to clean her, gently, patiently. After a long while, she is saved. Returned to the hive, all the bees that had scattered come back, as if they knew.

Louison returns home deeply moved, his eyes filled with tears of gratitude and joy, the kind that only a rare and intimate experience with the living world can provoke. And gives thanks to nature for having brought him into contact with this queen, for having allowed him to save her.

Délivre Moi. Save me.

Eau de Parfum — 50 ml / 1.69 oz

The scent of someone you love.

Not their perfume, their scent. The smell of their skin upon waking, after they have gone. That olfactive imprint left on the sheets, in the hollow of the pillow, in the atmosphere of the room. A presence without a body. A memory that still breathes.

Omnipresence.

That of the energy that surrounds us, invisible, yet always there. In us and all around us, between us. That divine breath that some call God, others the universe, others still the living world. The name matters little. The presence, itself, does not lie, there where the visible and the invisible meet.

The omnipresence of the architect of the universe, that indescribable yet so perfect mechanism. Our beliefs that carry us. Our doubts that make us grow. That tension between what we know and what we sense, between what we see and what we hope for.

Eau de Parfum — 50 ml / 1.69 oz